Showing posts with label orange juice. Show all posts
Showing posts with label orange juice. Show all posts

Sunday, 22 September 2019

Unknown Postcard Pleasures


 "Orange Juice, London, Willesden Green. On the morning of their first Peel Session (21/10/1980). That's Grace Maxwell and Scottish photographer Harry Papadopoulos [on the left]." ©Peter McArthur


For the past week or so Scots Post-Punk has been posting some amazing Peter McArthur photos from the early days at Postcard Records in Glasgow. All the photographs -many previously unseen before (well I've never seen most of them)- date from the 1979-1980 period when Postcard was just about to take over the indie recording world.

Well, in the end, it was only a wee bit of that world but it did at least have a huge influence, before its rapid decline, on a lot of people. Not only fans of the label but even more so numerous bands and musicians which would follow in its footsteps over the next 4 decades.

All photos ©Peter McArthur.  Descriptions by the photographer.



 "Orange Juice at Paisley Tech: 1980 - Edwyn, David McClymont, and Brian (BabyHoney) Taylor of The Pastels." ©Peter McArthur


 "185 West Princes St. 1980: One interesting thing about Postcard, is who was around, but Alan* did not sign. Here on Alan's bed Drew & Rose McDowell (Rose - later of Strawberry Switchblade) of The Poems. Drew is now a New York based avant-garde composer." ©Peter McArthur

*Alan Horne; Postcard supremo.


"Glasgow - West Princes Street 1980: Alan Horne (going out on the town?) and Steven Daly. That's "Nico" sitting on top of the wardrobe." ©Peter McArthur

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I'll maybe add a few more of Peter McArthur's photographs in a second post but if you want to see more right away, I advise you to check out the excellent Scots Post-Punk's Twitter timeline.





Saturday, 17 August 2019

Orange Juice • 'Falling & Laughing' Cover Shoot



Hi, all.

I haven't updated this blog for about 18 months now. Most of any action concerning any posts that should have been posted at the Sound of Young Scotland blog has been taking place at my Twitter account. So, if anyone want's to catch up on anything that might concern this blog you'll have to patiently trawl through my Twitter posts for anything that might be of interest to you.

I'll try and update a wee bit more but my interest for this blog has somewhat waned over the past couple of years.

Anyhow, there's been a huge upsurge in interest on the whole Glasgow music scene of the late 70s & 80s and there's plenty of information available through several books and films. Books and films all easily available from several sources and which can be found with a quick Google or two.

Today's post is a photo from the Orange Juice 'Falling & Laughing' single cover shoot. Photograph courtesy of the inexhaustible source of documents that is Scots Post-Punk .

Cover session photography by Peter McArthur; who has this to say about it:

“Taken in Brian (Superstar) Taylor's* bedroom, 185 West Princes St. Edwyn (Collins) said, I should use a flash, but I knew better, besides I didn't own a flash. Steven Daly had left by then to join The Backstabbers.”


*Former member of other Glasgow bands The Pastels, and The Radio Sweethearts

Sunday, 12 November 2017

"Everything in the charts is rubbish."


Follow-up to yesterday's post with more on Orange Juice from the November 11th, 1982 issue of Smash Hits. An article wherein we learn that not everything is up to Edwyn's tastes and standards. In the article we get to hear from Edwyn how the band came about as well as his opinions on the (then) state of affairs of the indie music industry. A sorry state indeed if you believe Edwyn; "It's a really bland time" he quips. I tend to disagree but everyone has a right to an opinion, n'est-ce-pas? He also goes on to say that work of graphic designers such as the Peter Saville isn't his cuppa either nor the (then) current music scene for that matter; "It's the same with music. It's all just seems really gutless and spineless at the moment."

Well, I imagine that many would, like myself, beg to differ on those points of view as well. Still, looking back retrospectively though, I understand his sentiments that not everything was as good as some made it out to be, but, as I mention above, everyone has their own opinion and feelings of how things are/were.
Orange Juice was a band that I really liked at that time but I also enjoyed a lot of the music and graphic design that might not have found favour with Edwyn.

Maybe he never heard the Associates 'Sulk' album, Cabaret Voltaire's '2x45', the Cure's 'Pornography' album or Felt's 'Crumbling The Antiseptic Beauty', to name a few, and which were all released that same year in 1982.

Anyhow, if you click on the image and zoom + you'll be able to read all of the interview and make what you like of it yourself.

Trivia: There's a typo in Zeke Manyika's name in the caption beneath the photograph.

Documents courtesy of and © Brian TV

Saturday, 11 November 2017

Remembrance Day










A youthful Edwyn Collins on the cover of Smash Hits on the November 11th issue, 1982. That's all of thirty-five years ago!

This photo has been in my archives for quite a while but I might have more on the band from this issue when @Brian TV updates his wonderful Smash Hits archives this weekend. As he usually does.










Below we have another excellent artefact which consists of a previously unpublished photograph of the band taken by Peter McArthur in their early days.


The photo is a wee bit damaged and as Peter explains: "That nice psychedelia at the bottom is bacteria eating the negative's jelly film - one day it will be no more."
Bit sad realy but at least SoYS was able to get a copy from the ever-excellent @ScotsPostPunk treasure trove for all to enjoy.

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Original photo of Orange Juice ©Peter McArthur / Courtesy of @ScotsPostPunk

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Sunday, 10 September 2017

That'll be £640, please.


Spotted by Brian Forbes on a recent vist to Japan among some other "mega rare" pieces was this "UK Original, 1980" 'Falling & Laughing' single by Orange Juice.
Although it purports to be an original copy -including postcard & flexidisc- it's on sale for the quite ridiculous price of ¥90,000 (that's around £640 or 710€ or $850). Rather expensive but prices are quite steep for this ultra-rare single in mint or near-mint condition. 
Anyhow, if you keep your eyes open you could pick up a copy for a lot less. Though, be aware, there are apparently quite a few counterfeit copies knocking about. Some of them even as red vinyl, double singles!

Image courtesy of and ©Brian Forbes

 



Thursday, 24 August 2017

Orange Juice - Rip It Up (artwork in progress)



Some very exciting images of original artwork for a few Orange Juice releases were forwarded to me by Scots post-punk a few months back. I've already posted one shot here but I promised that there would be more. So here we are today with a 'work in progress' shot of the artwork for Orange Juice's 1982 album 'Rip It Up.' Lots of handwritten messages; like "Rough guide to finished appearance only" around the cover sleeve photograph that was to be used. I imagine that these would be instructions for the printer or whoever was responsible for the fabrication of the sleeves.

This original document belongs to one Steve McNamee who picked it up for a song (indeed!) at an auction a few years ago. Amazing artefact!

Design for the 'Rip It Up' album' by the band; layout by Pete Watson, and typography by Rod Sopp. Band photography by the late Eric Watson; famous for his work with Pet Shop Boys as main photographer and video director for several years.


Saturday, 12 August 2017

Orange Juice : Coals To Newcastle (artwork)



 Artwork used to illustrate the Orange Juice 'Coals to Newcastle' boxset that was released by Domino Records in 2010. The artwork, layout, and design for the box set was done by Paul Kelly -known for his artwork for Saint Etienne and as a musician himself in the band East Village. For these two pieces he's relied heavily on a lot of the artwork used at Postcard Records for their original Orange Juice releases such as the 'Falling And Laughing' and 'Simply Thrilled Honey' singles.

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Anyone interested in this boxset will be glad to know that it was recently reissued by AED Records and is available to buy at their website.


Thursday, 13 April 2017

Campione!


Cutting from the NME (circa 1985, I reckon) featuring Edwyn Collins in the 'Portrait of the Artist as a Consumer' section. Edwyn gives us the lowdown on his favourite sounds, drink, books, etc. as well as other things that he dislikes.
Otherwise, in the Hot Tips bit Edwyn mentions then fairly unknown bands, Pride of the Cross and Sonic Youth. Pride of the Cross only lasted the length of one single release before a couple of the members split to join The Pogues. Wonder what happened to Sonic Youth?

Document source: GC's Punk & New Wave




Wednesday, 12 April 2017

Big Gold Dream - Saturday 15th April, BBC2 Scotland


When the late, great, American journalist Hunter S Thompson wrote: “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs.” It fast became an overused sentence to describe the music industry because its sentiments in brevity (exactly 140 characters, coincidently) describe pretty succinctly what the music biz represents for many indignant musicians around the globe, current and past. It’s almost become a bit of a clichéd phrase, but it’s also important to note - and let’s chime with one of the points made in Michael Hann’s departing piece as Guardian music editor; yes, musicians don’t make fortunes from their endeavours - but neither do producers of feature length music documentaries. Malcolm Ross of Josef K, Orange Juice and Aztec Camera: “It’s art, not commerce. We always wanted to be independent.”

Punk changed all that. No longer enthralled to the major corporations, Independent labels were sprouting up all over Scotland and then The White Riot Tour arrived May 7th, 1977: “It was a real year zero moment.” Davy Henderson, singer, arch agitator with Fire Engines, muses in Big Gold Dream: Scottish Post-Punk & Infiltrating the Mainstream. The feature length documentary that finally sees a public broadcast on BBC2 Scotland come Saturday night almost 40 years to the day when The Clash, The Jam, Buzzcocks, The Slits and The Subway Sect crammed into Edinburgh’s Playhouse.

 Directed by Grant McPhee, Big Gold Dream centres on Edinburgh’s greatest record label of all time, Fast Product: A precursor to Manchester’s Factory, a curious influence and competitor to Alan Horne’s Postcard across in Glasgow, Fast Product’s short life time spanned two glorious years as it released records by some of the period’s most enduring groups.

 Almost 40 years since its inception, founders Bob Last and Hilary Morrison’s label Fast paved the way for “indie” music, as we know it now. Such was the popularity of Fast they were knocking back tapes from the Cramps and Joy Division (the latter appearing on one of the Earcom compilations, Morrison rightfully uncomfortable with Curtis’ band name of choice). It brought us The Mekons, Gang of Four, The Scars and The Human League. For too long Fast has lived in the shadow of the rather flamboyant, west-coast timbres of Orange Juice and Postcard Records – Daly, Kirk, McClymont, Collins, and the hermetic Horne et al – still an absolute obsession of mine. Big Gold Dream corrects this and in doing so puts to bed the 2008 documentary Caledonia Dreamin’ which sadly ended up as a promotional film for Scottish Independence.

Albeit parallels in spirit and philosophies what Big Gold Dream documents is the antitheses of Postcard and Fast. Innes Reekie rightly points out that The Glasgow School were listening to the Byrds, The Velvet Underground et al. The Edinburgh cognoscenti: Television and Pere Ubu.

It was the Buzzcocks’ Spiral Scratch single that really started it all for Fast Product. Hillary Morrsion, co-founder of Fast bought the 7” for her then boyfriend Bob Last, who were both at the time working on tour with The Rezillos. The aspiring impresario, Last, immediately acquired a £400 bank loan, whilst drawing on “Mao’s military strategy” to push his vision forward and as the Australian narrator on Big Gold Dream describes - Robert Forster, singer with The Go-Betweens and Postcard alumni: Fast Product was born.

What Big Gold Dream achieves with its national broadcast is finally what Fast Product, Morrison and Last deserve: mainstream recognition. Consolidating on the relative success of Fast – Last finally gets the hits he’s been craving with The Human League - managing them, signing them to Virgin - Dare selling 9m records in the process and Don’t You Want Me topping the charts on Christmas day, 1981. Orange Juice hadn’t even released their debut album yet.

©Erik Sandberg

Big Gold Dream, Saturday 15th April, 9pm on BBC2 Scotland.

Watch the trailer here.

Many thanks to Erik Sandberg @Kiltr for giving me permission to publish his article here at SoYS.


Sunday, 5 February 2017

Rip It Up


Poster ad for Orange Juice's 1983 'Rip It Up single. Probably the groups' best known track from OJ's second album of the same name. One of their few discs that made it into the top ten; climbing all the way to the number 8 spot in the UK singles chart. It would also be the band's last real success before they split in 1985.


Saturday, 4 February 2017

Back With A Vengeance


Ad from 1982 announcing the "long awaited debut album" from Orange Juice. Features lists of the band members' favourite tracks by other artists at that moment as well as the upcoming tour dates. China Crisis and Dislocation Dance supporting the band on said tour.

Ad also features a couple of quotes(?):

"As it is, Collins is too knowing, too smug and cynical, to be the pop face that his songwriting talents warrant."

and

"Owange Juicepies expect their debut albumypoos to be taken seriously. Just fancy that!"

I suspect that these are some sort of Postcard marketing ploy pisstake though.


Source & ©Mike Dixon


Saturday, 24 September 2016

"The Best of the Faces"







Haven't been doing much on this blog recently due to other committments and general lack of free time. I'll try to remediate this over the next couple of weeks or so but can't promise anything.




Anyhow, today we have a clipping from some music mag of yesteryear featuring the one and only Edwyn Collins (of Orange Juice). If anyone knows the origin of this article, date etc. please let me know. *
Here Edwyn gives us the lowdown on some personal facts and his choices in recent books, films, records etc.
Lets us know that he "belongs to the classic school of non-singers like Dylan and Lou Reed" and other vital information like, ahem, what time he goes to bed.






Document courtesy of & ©Rob Waters.

*Rob has kindly informed me that the 'Personal File' is from an issue of Smash Hits circa '82-'83





Sunday, 21 August 2016

L.O.V.E... it's a hit!


Some more fabulous documents from Rob Waters' Postcard Records archives. This time we have an ad and a review for their 'L.O.V.E... love / Intuition Told Me' their major label debut single on Polydor/Postcard. Rob reckons this is from an October 1981 issue of Record Mirror but I have a feeling that it might well be from a copy of the NME from the same period.

Fab uncredited shot of the lads optimistically pointing towards the number one spot in the hit parade.

Original documents courtesy of & ©Rob Waters





Tuesday, 9 August 2016

"Postcard in fact is totally finished..."


"Postcard in fact is totally finished" confirms Alan Horne in this Face article from 1981. Here we get the story of Orange Juice's signing and deal with Polydor, as opposed to a deal with Rough Trade, as well as how they retain "as much control over what we do with them as we did with Alan."
Plus news on arrival of Malcolm Ross (formerly of Josef K) to the band, his disagreements with Paul Haig and the huge sum of £1500 being spent on keyboards by Orange Juice for him.


Document from The Face (November, 1981). Courtesy of & ©Rob Waters





Saturday, 6 August 2016

Just Pure Orange Juice


"Segment by segment..."  *Groan*

An interesting snippet on Orange Juice from 1981 by way of Rob Waters' Twitter timeline. Timeline full of wonderful documents -press clippings- from the golden era of The Sound of Young Scotland. This one features Edwyn reminiscing on his schoolboy days; the addition to the band of Malcolm Ross (formerly of Josef K); how the band are "very popular in Leeds" and the release of their single 'Warm Light' (sic).
It's also briefly mentioned at the end of the article that Stephen Daly and James Kirk have left the band since the interview took place.

Document from Jackie magazine (1981) courtesy of & ©Rob Waters


Rob provided me with date this was published on but couldn't tell from which publication he got it. Apparently he's working on it. If anyone has any idea, details, please let me know.







Thursday, 7 July 2016

Liverpool versus Glasgow : Orange Juice @ Plato's Liverpool, '81



Well, I've been a bit busy lately at work and on other projects but I've finally gotten round to do a wee post here at SoYS. I have a whole host of other pics and artefacts to post -many provided by that treasure chest of all things from Scotland's post-punk era, Scottish Post-Punk. First of all though we a flyer and an excellent pic for and from an Orange Juice concert at Plato's, Liverpool way back in August 1981.
Very nice indeed. Edwyn looks as if he's really enjoying himself. His fringe too!

More posts up soon.


Documents courtesy of EricsToEvol

Photograph : ©Denise Hodgkinson

Saturday, 23 April 2016

The Pipsqueaks Rip It Up !

Thirty-three years ago today Orange Juice on the cover and featured in a two-page spread by Adrian Thrills in New Musical Express. Here's the cover with a lovely Kevin Cummins pic of Zeke & Edwyn.

"It takes the juice of four musicians to put the sparkle in the refreshing pop tango of Orange Juice. Adrian Thrills unpeels the skin to discover ten segments of success. Pop-pix by Kevin Cummins." 

New Musical Express 23rd April 1983


Document via & courtesy of aly


Saturday, 2 April 2016

Two Postcards From Glasgow



Some more from Brian McCloskey's excellent Smash Hits archives series that he faithfully posts every fortnight at Like Punk Never Happened.
This time we have Red Starr's review from April '81 of Postcard Records' lastest releases: Orange Juice's 'Poor Old Soul' featuring Edwyn's "distinctive quavery vocals" and Aztec Camera's "amazingly mature debut," 'Just Like Gold.'
Includes a nice pic of the Aztec boys by Paul Slattery.

From Smash Hits, April 2nd, 1981
Document courtesy of a ©BrianTV


Monday, 15 February 2016

Kilty Pleasures : Scottish Post-Punk




Kilty Pleasures


Scottish Post-Punk
6-page spread on all things SoYS in Record Collector issue N°449

(January 2016).

Allan Glen tells the story of Scotland's post punk scene. From Postcard Records' Orange Juice and Josef K to The Jesus And Mary Chain via Fast Product, Skids, The Revillos-Rezillos, Simple Minds.

Not one to miss!


Document courtesy of
Scottish Post-Punk




Friday, 12 February 2016

People these days just aren't smiling as much as they should be.





Another gem from Andy at Birmingham_81's treasure trove of artifacts and photographs.

This time we have a poster for an Orange Juice concert at Scamps nightclub, Oxford in May 1981. Andy and a friend also interviewed the band the same evening.


Also, Orange Juice played another show at Scamps in March, '82. Lucky devils they were those Oxford lads and lassies.


Imagine paying £1.75 today. To see any band!

Image courtesy of & ©Andy@Birmingham_81