Showing posts with label grant mcphee. Show all posts
Showing posts with label grant mcphee. Show all posts

Saturday, 13 May 2017

Be Part of the Amazing Teenage Superstars!


From the makers of 'Big Gold Dream' comes the story of the The Fall of Postcard and the Rise of 53rd & 3rd Records, 'Teenage Superstars'.

 
"Big Gold Dream: Scottish Post Punk and Infiltrating the Mainstream. Teenage Superstars picks up where we left off with Big Gold Dream - the demise of Postcard Mk. 1, along with Fast Product shutting up shop."

After the brilliant BGD this time Grant McPhee and his team will be telling the story of the second wave of great Scottish, indie bands that appeared from the early to late 80s. Bands like The Pastels, Shop Assistants, The Vaselines, Simple Minds (oops!), The Jesus And Mary Chain, Primal Scream, Teenage Fanclub, etc. etc.

For the time being the film is still in the post-production stage. So far the lads have made a great effort in managing to complete the film and licence the music for it but, to complete their post production process, they need some financial support. They need your assistance to pay for things like archive clearances (footage of Nirvana costs a lot more than a sausage roll from Greggs!), and the likes of insurance, and marketing.

So, go ahead, Punk! Send in a couple of £s, $s, €s, and Make Their Day !

If you want to help crowd fund the film you can make a donation here.

Here what Bill Drummond (KLF) has to say about the film here.

Teenage Superstars - Trailer


Wednesday, 26 April 2017

Pulling A Fast One



Well, the other week I finally got to see the Grant McPhee documentary, 'Big Gold Dream.' A wonderful insight into the early days of the Scottish indie, post-punk music scene (Fast Product, Postcard Records, Josef K, Fire Engines, Scars, The Associates, etc. etc.).

The documentary particularly centres on Bob Last's, Edinburgh labels, Fast Product and pop:aural; with Bob and various people, who were part of the music scene back in the late 70s early 80s, giving us the lowdown on how things were as well as how Fast Product and pop:aural came about.

An altogether fascinating documentary which I, for one, thoroughly enjoyed.

Anyhow, the whole got me looking out any discs that I still have from the Fast/pop:aural era, giving them a spin and posting some pics of the artwork and graphic design work that Bob Last came up with for both labels.

Also, by way of the documentary, you get to realise just how much Tony Wilson's Factory Records owes to Bob Last. The large part played in influencing the great Manchester label when it comes to graphic design, marketing, etc. is really quite astonishing.

One of Last's ideas was to use the image of an old ad for Silva Thins cigarettes (a brand which once sparked controversy for its sexist tagline: "Cigarettes are like women. The best ones are thin and rich" in an 1970 ad) to illustrate the plastic pop:aural bag which enveloped initial copies of the Fire Engines' 'Lubricate Your Living Room' album when it was released in 1981.

No idea of this appropriation caused anything of a stir back then or if pop:aural ever had any problems about it. Then again, I can't imagine anyone in Scotland, or even the UK for that matter, ever smoking Silva Thins cigarettes.



Special thanks to Austen Harris for reminding me of Silva Thins-pop:aural link.

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©japanese forms

Wednesday, 12 April 2017

Big Gold Dream - Saturday 15th April, BBC2 Scotland


When the late, great, American journalist Hunter S Thompson wrote: “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs.” It fast became an overused sentence to describe the music industry because its sentiments in brevity (exactly 140 characters, coincidently) describe pretty succinctly what the music biz represents for many indignant musicians around the globe, current and past. It’s almost become a bit of a clichéd phrase, but it’s also important to note - and let’s chime with one of the points made in Michael Hann’s departing piece as Guardian music editor; yes, musicians don’t make fortunes from their endeavours - but neither do producers of feature length music documentaries. Malcolm Ross of Josef K, Orange Juice and Aztec Camera: “It’s art, not commerce. We always wanted to be independent.”

Punk changed all that. No longer enthralled to the major corporations, Independent labels were sprouting up all over Scotland and then The White Riot Tour arrived May 7th, 1977: “It was a real year zero moment.” Davy Henderson, singer, arch agitator with Fire Engines, muses in Big Gold Dream: Scottish Post-Punk & Infiltrating the Mainstream. The feature length documentary that finally sees a public broadcast on BBC2 Scotland come Saturday night almost 40 years to the day when The Clash, The Jam, Buzzcocks, The Slits and The Subway Sect crammed into Edinburgh’s Playhouse.

 Directed by Grant McPhee, Big Gold Dream centres on Edinburgh’s greatest record label of all time, Fast Product: A precursor to Manchester’s Factory, a curious influence and competitor to Alan Horne’s Postcard across in Glasgow, Fast Product’s short life time spanned two glorious years as it released records by some of the period’s most enduring groups.

 Almost 40 years since its inception, founders Bob Last and Hilary Morrison’s label Fast paved the way for “indie” music, as we know it now. Such was the popularity of Fast they were knocking back tapes from the Cramps and Joy Division (the latter appearing on one of the Earcom compilations, Morrison rightfully uncomfortable with Curtis’ band name of choice). It brought us The Mekons, Gang of Four, The Scars and The Human League. For too long Fast has lived in the shadow of the rather flamboyant, west-coast timbres of Orange Juice and Postcard Records – Daly, Kirk, McClymont, Collins, and the hermetic Horne et al – still an absolute obsession of mine. Big Gold Dream corrects this and in doing so puts to bed the 2008 documentary Caledonia Dreamin’ which sadly ended up as a promotional film for Scottish Independence.

Albeit parallels in spirit and philosophies what Big Gold Dream documents is the antitheses of Postcard and Fast. Innes Reekie rightly points out that The Glasgow School were listening to the Byrds, The Velvet Underground et al. The Edinburgh cognoscenti: Television and Pere Ubu.

It was the Buzzcocks’ Spiral Scratch single that really started it all for Fast Product. Hillary Morrsion, co-founder of Fast bought the 7” for her then boyfriend Bob Last, who were both at the time working on tour with The Rezillos. The aspiring impresario, Last, immediately acquired a £400 bank loan, whilst drawing on “Mao’s military strategy” to push his vision forward and as the Australian narrator on Big Gold Dream describes - Robert Forster, singer with The Go-Betweens and Postcard alumni: Fast Product was born.

What Big Gold Dream achieves with its national broadcast is finally what Fast Product, Morrison and Last deserve: mainstream recognition. Consolidating on the relative success of Fast – Last finally gets the hits he’s been craving with The Human League - managing them, signing them to Virgin - Dare selling 9m records in the process and Don’t You Want Me topping the charts on Christmas day, 1981. Orange Juice hadn’t even released their debut album yet.

©Erik Sandberg

Big Gold Dream, Saturday 15th April, 9pm on BBC2 Scotland.

Watch the trailer here.

Many thanks to Erik Sandberg @Kiltr for giving me permission to publish his article here at SoYS.


Wednesday, 23 September 2015

Teenage Superstars : Sound of Young Scotland 2



Teenage Superstars:
The Sound of Young Scotland 2

The first preview of the second feature film in the 'Sound of Young Scotland' story

Grant McPhee and the producers of the recent 'Big Gold Dream' follow it up with another documentary/film on the thriving music scene in Scotland.

This time the focus is on the many great bands that appeared in the wake of the demise of Postcard Records and the rise of 53rd & 3rd and Creation record labels.

Catch the link for the trailer below for some insight of the upcoming film.

Teenage Superstars






Tuesday, 19 May 2015

Big Gold Dream : Post Punk and Infiltrating the Mainstream




An update on Grant McPhee's upcoming feature-length documentary on the rise of Scotland’s post-punk/indie music scene 1977-1985.

An absolute 'must see' for anyone at all interested in the Scottish music scene
'Big Gold Dream'  will debut at the Edinburgh International Film Festival on the 19th June.



Click here to check out some excerpts from it.




Thursday, 2 April 2015

Post-Punk Postcards from Indie-pendent Scotland

From today's The National (Scotland) news on the upcoming feature-length documentary on the rise of Scotland’s post-punk/indie music scene 1977-1985 entitled 'Big Gold Dream.' Should premiere sometime early June.

A second documentary covering the 1986_1994 period will follow in the near future.

The Big Gold Dream - Scottish Post-Punk, DIY And Infiltrating The Mainstream (1977-1985)

Songs From Northern Britain - The Country That Invented Indie Music (1986 - 1994)


Saturday, 14 February 2015

The Sound of Young Scotland - Documentaries




In this month's MOJO (February 2015 issue) you can read all about two forthcoming Grant McPhee documentaries highlighting the independent music scene in Scotland from 1977 to 1994. Both films feature interviews and footage of all the important players who take part in all of it.

Watch the trailer for these films at the links below:

The Big Gold Dream - Scottish Post-Punk, DIY And Infiltrating The Mainstream (1977-1985)

Songs From Northern Britain - The Country That Invented Indie Music (1986 - 1994)

 

















Additional information from Sound of Young Scotland @Kiltr :
"Some things you never knew about Postcard Records: photographer Peter McArthur (who took all those amazing Strawberry Switchblade stills) was responsible for the name of the label, and Orange Juice drummer - Steven Daly - coined the phrase: 'The Sound of Young Scotland.' "